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  • 1917



    There were multiple times during the initial half hour of the film where I expected the camera to pan out from behind the two lead characters, the letterboxing to fade away, and a red health meter to fade in at the top of the screen.

    There's some great moments of lighting and cinematography here courtesy of Deakins (the roving nighttime silhouette of the ruins set against the burning church) but the digitally composited transitions where the film was obviously edited…

  • Uncut Gems

    Uncut Gems


    I love the manic, impish energy emanating off this thing. Howard is the patron saint of domestic chaos and financial precarity.

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